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Theatrical scenery in the nineteenth century
Theatre in the nineteenth century was noted for its changing philosophy, from the Romanticism and Neoclassicism that dominated Europe since the late 18th century, to Realism and Naturalism in the latter half of the 19th century, before it eventually gave way to the rise of Modernism in the 20th century. Scenery in theater at the time closely mirrored these changes and with the onslaught of the Industrial Revolution and technological advancement throughout the century, dramatically changed the aesthetics of the theater.
==Realism==
Theatrical realism was a general movement in 19th-century theatre from the time period of 1870-1960 that developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. Part of a broader artistic movement, it included a focus on everyday middle-class drama, ordinary speech, and simple settings. This idea of representing subject matter truthfully, was evident in the changes that were made to scenic design in theater. Theatrical designers and directors began meticulously researching historical accuracy for their productions, which meant that scenery could no longer be drawn from stock - which was typically used over and over again in generic settings for different shows. Scenery began to be custom designed and made for specific production. This meant, while scenery used to be seen as capital investment, it was not considered to be more disposable when the production was removed from the repertory.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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